Wednesday, June 11, 2025
79.6 F
Pawhuska

We Remember

Early Voting begins in Oklahoma today. 𐓏𐒰𐓓𐒰𐓓𐒷 π“‡π“‚Ν˜π“‡π“‚Ν˜π“π’·. Wahzhazhe Always. π“€π’°Ν˜π“‡π“‚Ν˜ π“‚π“‡π“Šπ’»Ν˜π’Όπ’·. Touch the feather. Vote, if you haven’t already.

The Huffington Post featured Osage language teacher Christopher CΓ΄tΓ© one year after the release of β€œKillers of the Flower Moon.” He stood, long hair down his back, in front of a bright blue and yellow mural, which contrasted the blues and reds of the straight dancer mural on the Osage Nation’s language building that was recently demolished.

The article revisits CΓ΄té’s viral comments about the film not centering around the Osage people. CΓ΄tΓ© described his work helping the actors speak Osage. Hearing the Osage language in the film was powerful; it was one of the elements that led producers to say they were honoring the Osage people and their story.

Lily Gladstone’s Osage was wonderful to hear and understand. Last year, the actress Zoomed into the Northeastern State University Symposium on the American Indian to talk about her belief that performance can be an effective strategy in language learning.

I think of that strategy in the chinuk wawa classes I’m taking. I want to learn the names of local plants and wildlife. Our small county and its communities carry Chinook place names, even though the Chinook Nation is not federally recognized. The class is offered through Lane Community College in Eugene, Ore. It’s taught by Zoom, twice a week. I’m impressed with how immersive on-line learning can be with a platform that allows written exercises and an audio interface for teachers to check pronunciation, and breakout rooms for conversation practice during class.

Students are a mix of Chinook community members, some with children in shawash-iliΚ”i skul, the Confederated Tribes of Grand Ronde’s immersion school. Others are community members Native and non-Native wanting to acknowledge the First People, many studying ecology. The classroom has the same encouraging, welcoming feel that Native spaces can.

Teacher Diane Smith, a member of the Confederated Tribes of Grand Ronde, who is Molalla, Chinook, Wasco, Klamath, Klickitat, Chamorro and Philipina, brings a warm welcome to class. An enthusiastic teacher, she uses as much chinuk wawa as she can. She’s patterned her classes on Beth Sheppard’s, a mentor, who teaches second year classes. Sheppard said she is non-Native and is teaching until an indigenous teacher is ready.

We review the alphabet together each session, practicing a variety of consonants not found in English or Osage. Pronunciation is challenging for me, but chinuk wawa was a trade language for Natives that expanded to include English and French words when traders and immigrants arrived so the sentence constructions are simple. Proper nouns are not capitalized in chinuk wawa.

With the help of Smith’s special bright blue β€œguest speaker,” we are learning to introduce ourselves. β€œgrover nayka yaxΜ£al, ikta mayka yaxΜ£al?” β€œMy name is Grover, what’s your name?”  Grover says.

Diane and Grover make it fun, giving us mini-conversations to practice. β€œRuby nayka yaxΜ£al, pi nayka miΙ¬ayt khapa Puget Island,” or in chinuk wawa, tenas iliΚ”i, small land or island, which is the name on the map, Tenasillie, for an island downriver from us. And so it goes, building on the small islands of language in Chinook or in Osage that we put together, uncovering the Native languages resting there.

It’s deeply satisfying to see language preservation and expansion happening this way in the Northwest and to see non-Natives wanting to stand as allies.

All of our efforts are important, especially to counteract the State of Oklahoma unilaterally removing β€œYou are Entering the Osage Reservation” road signs, in line with the nationwide move to remove β€œobjectionable” history. Generations of Osages have experienced the attempts to suppress, some say eradicate, our culture, and we are still here.

𐓏𐒰𐓓𐒰𐓓𐒷 π“‡π“‚Ν˜π“‡π“‚Ν˜π“π’·. Wahzhazhe Always. π“€π’°Ν˜π“‡π“‚Ν˜ π“‚π“‡π“Šπ’»Ν˜π’Όπ’·. Touch the feather. Vote, if you haven’t already.

Author

  • Ruby Hansen Murray

    Title: Culture Columnist

    Twitter: @osagewriter

    Topic Expertise: Columnist, Literary Arts, Community

    Email:Β Rubyhansenmurray@gmail.com

    Languages spoken: English, Osage language learner

    Ruby Hansen Murray is a freelance journalist and a columnist for the Osage News.Β  She’s the winner of The Iowa Review and Montana Nonfiction Prizes awarded fellowships at MacDowell, Ragdale, Hedgebrook and Fishtrap. She has been nominated for Push Cart prizes and Best of the Net. Her work is forthcoming in Cascadia: A Field Guide (Tupelo Press) and appears in Shapes of Native Nonfiction (University of Washington Press) and Allotment Stories (University of Minnesota Press). It may be found in Ecotone, Pleiades, High Desert Journal, Moss, Arkansas International, River Mouth Review, Under the Sun, the Massachusetts Review, The Rumpus, Colorlines, and South Florida Poetry Journal. She has an MFA from the Institute of American Indian Arts and has written for regional and daily papers across the Northwest and received multiple awards from the Native American Journalist Association and the Oklahoma Pro Chapter of Professional Journalists. She’s a citizen of the Osage Nation with West Indian roots, living in the lower Columbia River estuary.

    View all posts

Get the Osage News by email!

We don’t spam! Read our privacy policy for more info.

Ruby Hansen Murray
Ruby Hansen Murrayhttp://www.rubyhansenmurray.com/

Title: Culture Columnist

Twitter: @osagewriter

Topic Expertise: Columnist, Literary Arts, Community

Email:Β Rubyhansenmurray@gmail.com

Languages spoken: English, Osage language learner

Ruby Hansen Murray is a freelance journalist and a columnist for the Osage News.Β  She’s the winner of The Iowa Review and Montana Nonfiction Prizes awarded fellowships at MacDowell, Ragdale, Hedgebrook and Fishtrap. She has been nominated for Push Cart prizes and Best of the Net. Her work is forthcoming in Cascadia: A Field Guide (Tupelo Press) and appears in Shapes of Native Nonfiction (University of Washington Press) and Allotment Stories (University of Minnesota Press). It may be found in Ecotone, Pleiades, High Desert Journal, Moss, Arkansas International, River Mouth Review, Under the Sun, the Massachusetts Review, The Rumpus, Colorlines, and South Florida Poetry Journal. She has an MFA from the Institute of American Indian Arts and has written for regional and daily papers across the Northwest and received multiple awards from the Native American Journalist Association and the Oklahoma Pro Chapter of Professional Journalists. She’s a citizen of the Osage Nation with West Indian roots, living in the lower Columbia River estuary.

RELATED ARTICLES

In Case You Missed it...

Upcoming Events